Talk Tonic III

(transcript)

A few weeks ago we had the last lost poet recite the last poem in human history. Have you had a chance to see it?

Well, I’m wondering if your handiwork can be found in it. The last lost poet did not credit you in any way. I know you’ve said in the past that you don’t care and anyone is welcome to your spurts but I am curious if he utilized any of them. I suspect he did. Would you like to take a look at it?

The Apocalyptic hip chicks
in all their empty splendor
wrapping their tiny arms around
an anatomic event…

That’s mine. Hmm. Yeah. I spurted the whole thing, non textually, as you say, or non contextual, at different intervals, ual text con, you.

Oh yeah. I almost forgot. If a tree falls in a forest…

I think I’ve seen that before. Yours?

Did it make a sound?

I thought not. What have you been doing since the end of poetry? Have you quit spurting?

Do you? Why did you never turn your spurts into your own poetry?

I suppose that makes sense. But when you first started out and poetry wasn’t dead yet you made quite a name for yourself. My producer, God bless her, has compiled a list of some of those early headlines and book titles that have been written about you and we’re going to get into some of those in a bit. I want to start with what to me most illustrates your having made it to legendary status and that is when Sam Hamill of Copper Canyon Press began a two year long campaign of trying to convince you to write some poems to be published by his press and went so far as to buy a billboard near your home to try to convince you AND at the same time he was running an expensive ad in the New York Times.

Very out of character and caused consternation within the ranks over there at the magazine thinking that he had gone crazy. God rest his soul.

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